Back in June, I mentioned kourotrophoi. These ceramic mother-child figures have turned up at Mycenaean sites all over the Aegean, particularly in children’s graves. Kourotrophoi were not exclusive to the Bronze Age; the practice continued into later times.
The kourotrophos might have represented a divine Mother Goddess and Child, like the Christian Madonna and Child, or it could simply have been a form of sympathetic magic. Mycenaean and Minoan Goddess and Divine Child representations have been found elsewhere, and my next post will be devoted to a very special such artifact.
I mention kourotrophoi in my books. Here is a passage from Helen’s Daughter in which Hermione reflects on childbearing and the talismans that accompany it.
As high priestess in Sparta, I had seen women die in childbirth. Sometimes, they asked for me, to give them my blessings, and perhaps avert disaster by it, but though I held their hands, wiped the sweat from their brows, and said the prayers, they died, anyway.
Opening my eyes, I gazed at the kourotrophos standing on the table nearest the bed. She was very old, crafted in an outmoded Cretan style. Her scarlet and black paint was fading, but she had faithfully watched over the confinements of my foremothers for eleven generations, and had not lost a single woman in childbirth.Purchase Helen's Daughter on Amazon Kindle or at Smashwords.